Bandura: Familial Antecedents Of Social Behavior Free Writing Sample

Albert Bandura, born on December 4, 1925, in Mundare, Alberta, Canada, is a psychologist known for his expertise in social cognitive theory and self-efficacy. He gained recognition for his social learning theory and received the Bolocan Award in psychology during his undergraduate studies at the University of British Columbia. Following this, he pursued higher education at the University of Iowa where he earned an M.A. degree in 1951 followed by a Ph.D. degree in 1952. After completing his studies, he underwent a clinical internship at the Wichita Kansas Guidance Center.

Bandura started teaching at Stanford University in 1953 and has remained there until now. In 1974, he was chosen as the president of the American Psychological Association. His initial studies were influenced by Robert Sears’ research on familial antecedents of social behavior and identificatory learning. Initially, Bandura’s research concentrated on the impact of social modeling on human motivation, thought, and action. Bandura worked together with Richard Walters, his first doctoral student, on research projects concerning social learning and aggression.

Their collaboration highlighted the importance of modeling in human behavior and initiated a research initiative on the factors and methods of observational learning (including the renowned “Baby Clown Doll experiment” in psychology’s history). This project also resulted in Bandura’s debut book, Adolescent Aggression, in 1959, followed by Aggression: A Social Learning Analysis in 1973. In 1963, Bandura published his second book, Social Learning and Personality Development.

In 1974, Stanford University awarded him an endowed chair and he became the David Starr Jordan Professor of Social Science in Psychology. Just three years after that, Bandura published a groundbreaking book titled Social Learning Theory, which had a major impact on psychology during the 1980s. While studying how modeling assists individuals with snake phobias, Bandura found that changes in behavior and fear-arousal were influenced by their self-efficacy beliefs, or their own belief in their ability to conquer their phobia.

Later on, he commenced a substantial research initiative to investigate the significant impact of self-referent thought on psychological functioning. While he still delved into various theoretical issues and wrote about them, starting in the late 1970s he focused extensively on studying the role of self-efficacy beliefs in human functioning.

Bandura’s book titled Social Foundations of Thought and Action: A Social Cognitive Theory, published in 1986, presents a theory that emphasizes cognitive, vicarious, self-regulatory, and self-reflective processes in human adaptation and change. In 1997, he published Self-efficacy: The exercise of control. According to a survey conducted in 2002, Bandura is ranked as the fourth most-cited psychologist of all time, following B. F. Skinner, Sigmund Freud, and Jean Piaget, and he is also the most cited psychologist who is still alive.

The Love Song Of J Alfred Prufrock

“The Love Song of J. Alfred Prufrock” T. S.

“The Love Song of J. Alfred Prufrock” by Eliot is a dramatic monologue where the speaker reflects on his insecurities and regrets in regards to his interactions with women and life choices. The poem begins in a city setting, comparing the speaker to a patient under anesthesia, and later transitions to a beach scene, indicating a significant passage of time. Throughout the poem, Prufrock expresses his internal conflict over missed opportunities and indecision.

The speaker in the poem, Prufrock, describes the surrounding landscape while also conveying his emotions and experiences. For instance, when he says “The evening spread out against the sky/ like a patient etherised upon a table,” he is illustrating the city’s calmness and his own inability to take action. This theme is recurring throughout. Another example is when he mentions “The yellow smoke that rubs its muzzle on the window-panes,” which could represent Prufrock peering into a room where women discuss Michelangelo. Interestingly, Michelangelo’s famous sculpture, David, can be compared to Prufrock. While David represents a perfect male form, Prufrock describes himself as a thin, balding, middle-aged man. Prufrock is quite self-conscious about his appearance, as he mentions “With a bald spot in the middle of my hair” and how others might comment on his thin limbs. Although Prufrock is a fictional character, he feels relatable.

He possesses a relatable personality, carefully considering and recognizing the possibility of reversing his decisions. There is ample time for numerous indecisions, visions, and revisions before enjoying a meal of toast and tea. Contrary to most individuals, Prufrock does not feel rushed when making decisions.

The theme of hesitation and uncertainty is expressed through the repeated lines “There will be time, there will be time” and “An indeed there will be time” in “The Love Song of J. Alfred Prufrock.” Prufrock’s fear prevents him from confidently making a decision, even though he desires to do so. He doubts his ability to seize the opportunity after enjoying tea, cakes, and ices. The loss of potential greatness and the mocking presence of the eternal Footman have left him paralyzed.

Eliot portrays J Alfred Prufrock as a man who is terrified of the social consequences of making the wrong choice. Prufrock is depicted as being extremely self-conscious and insecure, constantly feeling as though he is under intense scrutiny from others. At one moment, he expresses a desire to have been born as a crab, using this as a metaphor to convey his sentiments. He compares himself to an insect pinned to a board for observation, describing himself as “sprawling on a pin” and “pinned and wriggling on the wall.”

The poem’s speaker repeatedly asks himself if he should dare to disturb the universe while alone in a room during a party. He hears voices fading beneath the music from another room and wonders how he should presume. Prufrock reflects on his past decisions and regrets not taking certain actions, questioning whether it would have been worth approaching matters with a smile. However, upon further contemplation, he realizes his intentions would have been misunderstood and exclaims, “That is not it at all! That is not what I meant, at all.” He believes expressing his true intentions accurately is impossible. Even in old age, he continues to question the rightness of his impending actions.

Eliot presents a vivid portrayal of J Alfred Prufrock, a man plagued by self-doubt and insecurity. Prufrock contemplates trivial matters such as how to style his hair and whether he should indulge in a peach. Even when envisioning mermaids, he doubts they would ever sing to him. Throughout “The Love Song of J Alfred Prufrock,” Eliot depicts Prufrock as an ordinary individual who constantly frets over his life choices. From his balding appearance in middle age to his continued bewilderment as an older man, Prufrock continuously questions whether he made the right decisions or if he should have chosen differently. Ultimately, the reader gains substantial insight into Prufrock’s character, perhaps more than he initially intended to reveal.

My Ideal Man: How Would You Describe An Ideal Man

What is your ideal man? I never know how to answer questions like this one, so I usually just say something along the lines of, “My ideal man is someone who wants a committment,” now, that may not sound like a bad thing– actually, I believe every woman wants that– but for a question like this, it needs depth; it needs detail, which is something I am not very good at doing– I’ll still try. – My ideal man reads novels, not those ragged Playboy, and Penthouse magazines but real books like, “The Stranger” by Albert Camus, “Lolita” by Vladimir Nabokov, or J.

D Salinger’s classic read, “The Catcher in the Rye. ” He enjoys having long conversations, and watching film noir movies with me, he even enjoys those idiotic, nonsense films like “The Hangover,” because it’s so crazy it’s funny. He likes public displays of affection; not caring who sees our love and our infatuation with one another, he loves the way my hand perfectly fits in his, as though I was made just for him. He likes it when I wear his clothes because I look good in them and he knows, I love having a piece of him, he tells me I’m beautiful, even when I look like a big, fat blowfish.

He lets me wear his cologne because he knows how much I adore his smell, only to buy me my own bottle because he knows it makes me feel closer to him. He loves cuddling, because, who doesn’t love cuddling? He lets me fall asleep first, just so he can watch me sleep and he sings me corny, love songs when I can’t. He’s spontaneous, he loves waking me up at 4 A. M in the morning just to take a drive around the block, even when he knows, I’ll be pissed off in that moment.

He hurts my feelings because he loves and cares about me, and wants me to learn that the truth hurts. He randomly whispers sweet nothings in my ear in the store, he hugs me from behind, when I’m upset and pull away, he pulls me right back and makes me tell him what’s wrong so he can cheer me up, he calls me at 12 AM just say Happy Birthday, he sings me songs and buys me books because I’m not a high maintenance girl, and he knows how much I love those two things.

When I’m sick he comes right over and makes me feel better, even if it means him getting sick; he’s willing to meet my mom and sister and accepts them both. He has a career, and life goals. He wants to get married, and start a family. He doesn’t pressure me into sex because he knows that I’m a virgin, and he accepts that + knows I want to wait for the right person (Even though he already knows he’s the right one). He cooks for me; he buys me flowers for no reason, he says “I love you, ” just because, he cherishes our relationship.

He kisses me in the pouring rain, because he knows that I am a big hopeless romantic. He watches chick flicks with me, even though I hate chick flicks. He stays in bed with me because I’m too lazy to do anything. He takes bubble baths with me after work, he kisses me in the morning despite me having bad morning breath, he likes going to the zoo and fat kittens. He loves my lame, dry sense of humor. He enjoys my company. When I’m mad he leaves and comes back with a lot of chocolate because he knows how much I love chocolate.

He enjoys operas and weird, one-man plays, dancing to old records and looking through old photographs of the past. He accepts me and the girl that I am. He likes my body,he doesn’t care how inexperienced I am. He like my jokes, and my cooking even though I’m not that good. He smiles when things are bad because he knows it’ll make me feel better. He brings out my sexy side because he knows I am a bit of a tomboy. He makes me breakfast in bed because he wants to surprise and get a little something-something for being so amazing.

He likes the aquarium and life; having snowball fights in the middle of the night and pigging out on food that contains too many damn calories. He loves gory, horror movies; he protects me when I’m scared and fights for me when I’m weak. He wipes my tears when I cry, and offers his shoulder to rest my head on. He loves me no matter what; he’s my soulmate, my prince charming, he’s “the one. ” The one I was born for. – That’s my ideal man; that’s what I wish for everyday. He may not exist but it’s okay to dream, right?

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