Frida Kahlo: A Current Dialogue On The Artist Sample Essay

Frida is the most significant Mexican artist whose art captivates various viewers. This essay describes more about Frida, including her The Broken Column, The Wounded Table, Thinking About Death, and My Birth paintings. She was a painter who used her art to express the physical and mental trauma she had experienced over her life. Frida Kahlo was born in the municipality of Coyoacán, just outside of Mexico City, on July 6, 1907, as the daughter of Mexican immigrants. Frida suffered physical disabilities due to polio during her brief life. An unfortunate bus accident at the tender age of 18 years changed the course of her career, and she decided to go into medicine instead. Frida learned to draw and paint as a result of this mishap. Self-portraits and exploration of Mexican folk culture and Aztec mythology were hallmarks of Frida Kahlo’s work, as were works that also straddled the line between reality and fiction. A pulmonary embolism killed her in 1954, yet other individuals believe she took her life.

When women were demanding a new role, they grappled with the cultural norms of their gender, which had an impact on Frida’s painting. She was a modern woman, but her art had a strong indigenous influence. Her preferred medium was self-portraiture, and she conveyed her thoughts on the world through this medium. Frida was an active participant in the global community and a loud voice for her ideals throughout her life through her work. Despite the controversy surrounding her work, she nevertheless managed to draw a large following. As a result of her work’s complexity and provocative nature, Frida has achieved worldwide attention. When it came to self-portraits depicting her innermost thoughts and feelings, she was fearless. Her beloved husband, Diego Rivera, pushed her to begin a series of paintings (“IN THE STUDY: Frida Kahlo’s Transformation of Retablo,” 2022). As a bridge-builder with her paintbrush, she comforted and reassured several, especially women, that they were not alone in their experiences or identities.

After suffering a miscarriage, Kahlo painted My Birth, her first painting that depicts how she imagined she was born. She described her artwork as her journal, which several people believe depicts the artist’s feelings and emotions about losing a child she never had. In Frida’s My Birth picture, her head gets more prominent in the womb until it emerges from the mother’s body. Because of the miscarriage, Frida’s mother’s body appears to be covered in a puddle of blood. The mother’s face is obscured by a sheet, which could represent a remnant of her mother’s recent death. The weeping “Virgin of Sorrows” portrait hangs above the birth bed. The Virgin weeps with sorrow and sympathy, but it appears she has little power to help (“IN THE STUDY: Frida Kahlo’s Transformation of Retablo,” 2022). The mother is not watching the birth because she is covered in a sheet and is virtually distancing herself from the event because it is too distressing and heightens this idea further.

To create a melancholy mood, both The Broken Column and My Birth pare down the detail to an absolute minimum. A painting adorns the wall above the bed in this bare-bones room. Frida is left with nothing but a thin sheet covering her lower abdomen as the only kind of defense left to her after the Fall of the Column. There may be an underlying theme of modest beginnings in My Birth, rather than any specific turbulence at this early stage of the artist’s existence. Against a lonely and disjointed backdrop, Kahlo paints herself as though she has been through as much turmoil and agony as the viewer does (“The Broken Column – Frida Kahlo – Google Arts & Culture,” 2022). Her almost unclothed physique has a profound and jagged gap that discloses her backbone as a devastated and broken Ionic nugget pillar to the spectator. All over her body and on her face are punctured by nails of varying lengths, adding to her misery.

Frida’s cheeks were flushed with tears as she recounted the events in her life. The painter later added a white surgical-looking sheet to conceal Kahlo’s bottom half, which was drawn initially nude save from the banded medical support corset she was wearing. Although her body was disfigured, her sensuality was still clearly visible in her breasts. The depiction of nails and sheets also evoked Christian martyrdom imagery; Kahlo’s visage is a picture of power and defiance (“The Broken Column – Frida Kahlo – Google Arts & Culture,” 2022). Even with her mutilated and tortured body, it is clear that her spirit was not broken. Her demeanor is consistent with how she has always approached life: forceful and defiant toward the observer. The piercings in her body caused by her nails depicted the persistent suffering Frida endured. Some of the scars on her left breast pertain to her loneliness, while others result from an accident in 1925 that left her scarred for life. Because she was often alone, Frida explained that she often depicted herself in her artworks because she was the only one who could relate to her.

Frida’s art depicts how she was full of tears and sorrow that bared her soul. Taking a closer look at Frida’s artwork, one could observe how the self-taught artist portrayed herself in the years leading up to her death. Frida Kahlo endured numerous traumas in her short life, but perhaps one of the most deadly and permanent happened when she was 18 (“The Broken Column – Frida Kahlo – Google Arts & Culture,” 2022). According to reports, Kahlo and her other passengers were in a car accident on their way home from school when their bus collided with another vehicle. A metal railing was impaled into her pelvic hip area, causing great pain and suffering. When she was admitted to the hospital, she was bedridden for a month, and she was subsequently confined to her home for several months. For this reason, she started creating a kind of broken woman art, which would help her deal with her grief and serve as an outlet for many other women who were going through similar hardships.

Frida purposively crafted The Wounded Table Picture work of art, around 4 x 8 feet in size, because it was scheduled to be presented at the same exhibition as Diego’s “cheating husband.” Kahlo painted this piece while she was going through a divorce from Diego Rivera, and her emotional state can be seen throughout the work. With Frida at the center of the table, this picture resembles a distorted version of the Last Supper (The Wounded Table, 2022). People from all walks of life circle her: A paper-mâché Judas, skeleton, pre-Columbian art and Cristina’s pet fawn Granizo are some of Cristina’s possessions. In her 1938 The Wounded Table painting The Four Inhabitants of Mexico City, all four characters, including a skeleton and an ancient Aztec statue, are depicted here.

Frida Kahlo’s right forearm was a stylized depiction of the form and color of the clay Nayarit number’s right arm. The Nayarit was held aloft by Frida’s cupped palm. Diego Rivera’s pre-Columbian collection is where this Nayarit couple started (The Wounded Table, 2022). It is safe to say that the Nayarit represents Mexico’s past and its people; Frida Kahlo is a Nayarit icon. Frida uses her blood to sustain this phantom: the blood that Frida drew from the gaping cut on her neck. Frida’s wounds have healed, and she has made the ultimate sacrifice for her Mexican father (Thompson, 2022). Frida Kahlo was severely injured in the bus accident, and the skeleton has remained unexplained for almost a century. Frida’s right foot was amputated in 1934, and the foot of the skeleton in her painting had a striking resemblance to that of Frida. Frida Kahlo never painted a skeleton with a round head, huge eyes, a genuine laugh, or a ribcage structure.

As with most of Frida Kahlo’s works, Thinking About Death portrays the artist herself. But it is a far cry from the stereotype of an artist that most people have in mind. She appears to be standing in front of a lush green backdrop, which recalls her tropical home in Mexico (“Thinking about death – by Frida Kahlo,” 2022). The abundance of vegetation also symbolizes life and renewal. In her portraits, Kahlo is shown with her shoulders back and her neck straight, as if she is gazing peacefully and directly into the camera. In Frida’s Thinking About Death portrait, she appears to have died “on her mind” at all times. As a crack into her thoughts or expression of her facial features, the circular photo is a permanent part of her self-image (“Thinking about death – by Frida Kahlo,” 2022). The perfect circle in the middle of her forehead depicts a rural scene with a skull and crossbones.

A lifetime of physical agony and disease, as well as a few near-death experiences, were a constant reminder of her death. The unwavering expression on Kahlo’s face shows boldness, despite the artist’s constant contemplation of her mortality. Kahlo depicted an acceptance of pain and death as part of life. She says that individuals can live a happy life even if they know their mortality and do not let it overwhelm them. Death was a constant concern in her head due to her deteriorating health. The skull and crossbones on her forehead signify a death in the picture. Death is also a harbinger of rebirth and a new beginning in the ancient Mexican tradition. Symbolic of life, she placed herself in front of a backdrop of lush green leaves. It appears that Frida had a deep understanding of death as a stepping stone to a new kind of existence.

A physician’s study of Frida Kahlo’s life and art can help them better understand pain’s suffering and dehumanizing effects. Paintings by Frida convey suffering and its influence on human life. In Kahlo’s paintings, one can see the anguish, loss, and confusion of the patient’s perspective, and readers can reflect on their experiences of pain in the process. A doctor’s duty necessitates far more than just diagnosing, treating, and educating patients. Therefore, pain is a complex occurrence that impacts several facets of life.

References

The Broken Column – Frida Kahlo – Google Arts & Culture. Google Arts & Culture. (2022). Web.

In the Study: Frida Kahlo’s Transformation of Retablo. Society for the Arts in Religious and Theological Studies. (2022).

Thinking about death – by Frida Kahlo. Fridakahlo.org. (2022).

Thompson, Z. (2022). Still Devouring Frida Kahlo: Psychobiography versus Postcolonial and Disability Readings. Ebooks.ohiolink.edu.

The Wounded Table, 1. (2022). Frida Kahlo – The Wounded Table, 1940. Arthur.

Appendix1: My Birth Picture

My Birth Picture

Appendix 2: The Broken Column by Frida Kahlo In Context Picture

The Broken Column by Frida Kahlo In Context Picture

Appendix 3: The Wounded Table Picture Portrait

The Wounded Table Picture Portrait

Appendix 4: Thinking about death

Thinking about death

Scientific View On Women In 19th Century Britain

The story of Emma Woodhouse, written by Jane Austen, was published in 1815 and characterizes the life and customs of that time. Emma clearly stands out from her social circle with her daring willfulness, mockery, and energy, the desire to act. However, the freedom of this heroine is truly exceptional against the backdrop of the social role women occupied in early 19th century Britain.

Despite the general academic notion that women have neither had access to science nor made significant contributions to it in the past, this can be refuted. The romantic period at the turn of the 18th and 19th centuries was marked by the voyages of three women seafarers who visited the Caribbean, South America, and Madeira, respectively (Thompson, 2019). All three travelers also searched hard for ways to get around the restrictions that stood in their way. Women also signed up for Protestant Christianization missions in colonized countries (Bowie, 2021). The situation developed in such a way that in the 19th century women did not have the right to engage in science, and in a broad sense, since science remained a stronghold of men. However, the growth of the prestige of science and its influence on the world in itself determined the interest of emancipated women in it.

At the beginning of the 19th century, women begin to assert their rights much more often than domestic and maternal responsibilities. One of the reasons for emancipation may be the issue of labor – it can be assumed that with the development of capitalist relations, society needed more laborers. By receiving wages in factories, women actually gained independence of a non-symbolic plan. The French Revolution also influenced the image of a woman as a person with rights and opinion due to the creation of associations where women were accepted (Crenn, 2019). In addition to fighting for their rights, women of that century actively campaigned for the rights of animals (Donald, 2019). The key work that shaped the image of a free woman from the pages of Jane Austen is Mary Wollstonecraft’s work in defense of women’s rights. A woman should not be a toy in the hands of a man – this is what becomes the basis of the personal beginning of a woman in English society at the beginning of the 19th century.

References

Bowie, F. (2021). Women and missions: Past and present: Anthropological and historical perceptions. Bloomsbury.

Crenn, H. (2019). Legitimizing the role of women in the process of state building in post-revolutionary France. International Journal on Rule of Law, Transitional Justice and Human Rights 10, 67-75

Donald, D. (2019). Women against cruelty: Protection of animals in nineteenth-century Britain. Manchester University Press.

Thompson, C. (2019). Women travellers, romantic-era science and the Banksian empire. Notes and Records: The Royal Society Journal of the History of Science 73(4).

The COVID-19 Pandemic And Labor Market Dynamics

Gros, Daniel, and Alexandre Ounnas. “Labour market responses to the Covid-19 crisis in the United States and Europe.” CEPS Working Document No. 2021. Web.

The effect of the Covid-19 on unemployment is investigated in this article by evaluating and comparing labor market responses in the United States and the United Kingdom. The labor markets in the U.S. and in the EU have reacted to the Covid-19 issue in various ways. The findings reveal that NPIs have no substantial impact on monthly unemployment rate changes in the United States or the European Union. In both regressions, school closures appear to have a beneficial influence on unemployment, but the coefficients are not properly estimated.

The work is reliable because it collects and analyzes national statistical data. The analysis relies on seasonally adjusted unemployment rates published by the Bureau of Labor Statistics (BLS) and Eurostat, respectively, for US and EU member states. The government reaction tracker produced by Oxford’s Blavatnik School of Governance is also used in the study as a crucial metric of the restrictiveness of government responses to Covid-19. This tracker categorizes diverse policy actions done by governments worldwide in a consistent manner.

Because it provides a unique examination of the labor market response, this material is important for research into the influence of Covide-19 on job loss. The monthly data on containment measures collected in various jurisdictions may then be coupled with the normal monthly unemployment rate series. The statistical data from the study conducted by Gros and Ounnas (2021) might be analyzed in terms of the unemployment rate as the dependent variable, vs. the index of restrictiveness of NPIs, as the independent variable to uncover the consequences of these distinct policies.

Blustein, David L., et al. “Unemployment in the time of COVID-19: A research agenda.” Journal of Vocational Behavior, vol. 119, Web.

This essay represents the collective perspective of vocational psychology experts who attempted to build a study agenda in response to the large worldwide unemployment crisis that the COVID-19 epidemic has triggered. The study looks into the reasons for job losses and the impact of the crisis on the poor and working classes. It investigates the nature of the grief elicited by the loss of a job and life at the same time.

The study is trustworthy since it acknowledges and tackles experts’ privilege. It involves research into the work-family interface as well as juvenile unemployment. The study creates a framework for evidence-based interventions for jobless people. The research focus includes looking into how this unemployment crisis compares to prior times of unemployment. The study best informs transformative initiatives and necessary policy actions for people and communities who lost their jobs.

The presented material is useful for future research on the impact of COVID-19 on the working class since it may spark a broad-based research agenda. The study is also beneficial because it is based on the participants’ personal experiences. It can make a significant contribution to the development of experience-based, participatory research.

Posel, Dorrit, Adeola Oyenubi, and Umakrishnan Kollamparambil. “Job loss and mental health during the COVID-19 lockdown: Evidence from South Africa.” PloS one, vol. 16, no. 3, 2021, p. 0249352. Web.

During the COVID-19 pandemic in South Africa, this study looked at the impact of job loss and employment leave on people’s mental health. According to the study, adults who kept their paid jobs during the COVID-19 lockdown had considerably lower depression scores than those who lost their jobs. The economic ramifications of the COVID-19 pandemic, according to Posel et al. (2021), resulted in extraordinary employment losses, which negatively impacted mental health. As a result, health policy responses to the crisis must include physical and mental health measures.

Because the data for the study originated from the first and second waves of the national survey, the National Income Dynamics-Coronavirus Rapid Mobile Survey (NIDS-CRAM), which was conducted in May-June and July-August 2020, respectively, this source is trustworthy. The NIDS-CRAM sample was derived from a previous national survey on mental health conducted in 2017. The ordered logit regression model was best suited for analyzing the impact of employment status on depressed symptoms.

It is a resource to use for researching how the epidemic has affected employment losses. Using data analysis from South Africa is essential since future research will focus on the effect of COVID-19 on the poor and working-class people. As a third-world country with a developing economy, South Africa might provide compelling evidence and support for the claim that the pandemic had a wide-ranging influence on the economy of third-world countries.

Bauer, Anja, et al. Competing for jobs: How COVID-19 changes search behaviour in the labour market. No. 33, 2020. IAB-Discussion Paper, Web.

By analyzing Germany’s LinkedIn professional network data, the study gives insights into labor market rivalry, application reallocation, and potential sullying consequences. According to the findings, there has been a significant increase in job competitiveness among workers. The data collected in the study enables a link between more job applicants and a higher search intensity. Furthermore, according to LinkedIn statistics, people from industries that have been particularly hard hit by the crisis apply considerably more frequently, and the target industries for applications have shifted significantly.

Because the study analyzes data from the LinkedIn professional network for Germany to answer the questions above, the resource is trustworthy. The information provides a current picture of who is searching, what they are looking for, and what they discover. By examining general application behavior, it is possible to determine how job competitiveness among workers changed during the crisis.

The article is useful for future research since the shift from higher to lower quality applications discovered by Bauer et al. (2020) reveals that the crisis is hurting the operation of the labor market and preventing employees from developing their full potential. Implementing this data and approach provides a more comprehensive picture of the labor market’s status, as it addresses some of the challenges that traditional measures, such as tightness, confront.

Gallant, Jessica, et al. Temporary unemployment and labor market dynamics during the COVID-19 recession. No. w27924, Web.

The labor market dynamics of the COVID-19 recession in the United States are studied using a search-and-matching model incorporating temporary unemployment. Gallant et al. (2020) calibrate the model using panel data from the Current Population Survey from 2001 to 2019. To explain professional unemployment rate estimates, the study finds that some combination of the vacancy rate, job separation rate, and recall rate of workers on temporary layoff must decline significantly from current levels in the next months.

The article is trustworthy since it employs a specific model to forecast the unemployment rate for the following 18 months. When compared to a model that does not distinguish between temporary and permanent unemployment and professional and academic projections, the model predicts a faster recovery under a variety of assumptions regarding job losses and labor demand. The study also uses panel data from the Current Population Survey from 2001 to 2019 to calibrate its model.

The source is useful for future research since it aids in distinguishing between temporary and permanent unemployment during COVID-19. According to Gallant et al. (2020), the significant number of workers on temporary layoff at the outset of the COVID19 recession resulted in substantially less of a change in market tightness than if all of these workers had been permanently laid off.

Works Cited

Bauer, Anja, et al. Competing for jobs: How COVID-19 changes search behaviour in the labour market. No. 33/2020. IAB-Discussion Paper, Web.

Blustein, David L., et al. “Unemployment in the time of COVID-19: A research agenda.” Journal of Vocational Behavior 119 (2020): 103436. Web.

Gallant, Jessica, et al. Temporary unemployment and labor market dynamics during the COVID-19 recession. No. w27924. National Bureau of Economic Research, 2020. Web.

Gros, Daniel, and Alexandre Ounnas. “Labour market responses to the Covid-19 crisis in the United States and Europe.” (2021). Web.

Posel, Dorrit, Adeola Oyenubi, and Umakrishnan Kollamparambil. “Job loss and mental health during the COVID-19 lockdown: Evidence from South Africa.” PloS one 16.3 (2021): e0249352. Web.

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