The Rape Of The Lock As A Mock Epic Poem Sample College Essay

“The Rape of the Lock”

The epic is a narrative poem of supposed divine inspiration treating of a subject of great and momentous importance for mankind, the characters of the story are partly human and partly divine, and the language and style in which the incidents are related are full of elevation and dignity.

If a long narrative poem should satisfy all the tests of epic poetry, but if the subject which is celebrated be of a trivial nature, like the cutting off a lock of a woman’s hair, which is the story that is related in Pope’s “The Rape of the Lock”, then such a poem is called a mock-epic. A mock-epic poem is supposed to be the inspiration of a Muse and the language is stilted and grandiose, but the subject is of very frivolous and of commonplace nature.

Mock-epic or mock-heroic or heroi-comical terms are applied to literary works in

which the epic or heroic tradition is ridiculed.

Characteristics of “the Rape of the Lock” as a Mock-Epic Poem

Parody

Hazlitt has called the poem ‘the perfection of the mock-epic’. It belongs to the literary type, called burlesque or parody., on a large scale. In it, not a single poem, but the whole type or style of literature is parodied; the language and thought, proper to a serious theme are reproduced in describing something ridiculous or trivial. The eighteenth Century with its passion for the ancients, was familiar with the whole epic tradition and conventions. It was rich, particularly, in bad epics itself. Pope makes the framework of his poem a parody of the epic tradition. The most crucial parallel to epic is the scene which occurs just before the cutting of the lock, when Ariel discovers the secret longing of the beautiful Belinda. He finds an earthly lover lurking in Belinda’s heart:

“Sudden he viewd, in spite of all her art,

An earthly lover lurking at her heart.

Amazed to fate, and with sigh retired.” The situation is apparently an echo of the moment in “paradise.

Short Review Of The Film “Angels With Dirty”

Angels with Dirty faces was a film shot in the late 1930’s and is within the genre of a classic Gangster film.

Genre of a film is determined by codes and conventions found in a film through its iconography, by looking at its setting, costume and props, sound and editing, therefore the iconography within Angels with dirty faces stuck with the conventions of a Gangster film. The camera framing and movement in the film was naturalistic and very much typically Hollywood. The setting of this film was in an urban city, where the streets looked grimy and crowed and there was a clear difference between the rich and the poor. The lighting within the film was low key which showed a lot of shadows, this was done to add more melodrama in certain scenes, but on the outside scenes it remained naturalistic. The costumes and props in the film showed direct reference to its genre through the characters wearing smart suites, and hats, also through the usage of hand guns pistols and knifes. Therefore all of the iconography in the film made a direct link to the films genre.

The main narrative of the film sees two hoodlum kids who are very rebellious and naughty grown up into two totally opposite grown men.

Rocky played by James Cagney grows up to continue in his bad boy ways where as the other boy Pat O’Brien turns away from his past into repentance and become a man of God called Priest Connelly. Priest Connelly later meets up with Rocky and tries to persuade him to live a morally correct life and give up his Gangster ways and help with a crusade against gangsters, Rocky eventually get caught up and executed.

The Narrative structure of the film shows notion of good verses evil a type of Cain and Able sub-genre storyline, and Gangsters verses the law. The character types of the film are the crooked lawyer, Anti-hero who is Rocky Sullivan, the moll/love interest Laurie Martic, and the Boss Humphrey Bogart known as Mac.

Zinc Oxide Crystal Structure

Crystal structure Zinc oxide crystallizes in three forms: hexagonal wurtzite, cubic zincblende, and the rarely observed cubic rocksalt). The wurtzite structure is most stable at ambient conditions and thus most common. The zincblende form can be stabilized by growing ZnO on substrates with cubic lattice structure. In both cases, the zinc and oxide centers are tetrahedral. The rocksalt (NaCl-type) structure is only observed at relatively high pressures about 10 GPa.[13] Hexagonal and zincblende polymorphs have no inversion symmetry (reflection of a crystal relatively any given point does not transform it into itself).

This and other lattice symmetry properties result in piezoelectricity of the hexagonal and zincblende ZnO, and in pyroelectricity of hexagonal ZnO. The hexagonal structure has a point group 6 mm (Hermann-Mauguin notation) or C6v (Schoenflies notation), and the space group is P63mc or C6v4. The lattice constants are a = 3.25 A and c = 5.2 A; their ratio c/a ~ 1.60 is close to the ideal value for hexagonal cell c/a = 1.633.[14] As in most group II-VI materials, the bonding in ZnO is largely ionic, which explains its strong piezoelectricity. Due to the polar Zn-O bonds, zinc and oxygen planes bear electric charge (positive and negative, respectively). Therefore, to maintain electrical neutrality, those planes reconstruct at atomic level in most relative materials, but not in ZnO – its surfaces are atomically flat, stable and exhibit no reconstruction.

This anomaly of ZnO is not fully explained yet.[15] Mechanical properties ZnO is a relatively soft material with approximate hardness of 4.5 on the Mohs scale.[2] Its elastic constants are smaller than those of relevant III-V semiconductors, such as GaN. The high heat capacity and heat conductivity, low thermal expansion and high melting temperature of ZnO are beneficial for ceramics.[16] Among the tetrahedrally bonded semiconductors, it has been stated that ZnO has the highest piezoelectric tensor or.

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